The Convenient Lady

Emily tells Victor, Its boring with you, like a library. Ive fallen for someone else, Claire.

Claire watches Victor, stunned. Inside her, a stretched string snaps. Three years together, three years of hopes, plans, talks about the future, and then Victor drops those two short sentences that shatter everything.

Boring? Claire repeats, trying to grasp the word. It wasnt boring for three years, and now suddenly?

It doesnt matter, Claire, Victor says without meeting her eyes, folding shirts into his bag. It just happened. These things happen. Were not the first, we wont be the last.

Claire wants to shout, to argue, but her throat tightens. She only watches in silence as the man she loves methodically erases the traces of their shared life.

After he leaves, the flat feels enormous and empty. The walls press in, the air seems viscous. Claire collapses onto the sofa and cries, but the tears bring no relief. At night she wakes reaching for the vacant side of the bed; by day she goes through her job mechanically, never really engaging.

The neighbours next door live their own liveslaughing, cursing, TV blaring. Their voices seep through the thin walls, reminding Claire that somewhere theres a full, real life. She is left with only memories and an empty flat.

What she wants most is simple: love, a home where someone waits, a place where she can be herself without pretending to be strong. She dreams of a place that accepts her as she istired, confused, craving ordinary human warmth.

A year after the breakup she meets him.

It happens in a café opposite her office. Emily darts in for a midday coffee. At a window table sits a man, face grey from fatigue, eyes dim. Their gazes meet for a second and Emily sees something familiar: the same emptiness that lives in her.

That day she meets Oliver. He is thirtyeight, recently divorced, childless. He lives in a twobedroom flat that looks as if the landlord abandoned it years ago: dusty bookshelves, a sagging couch, grimy windows. He doesnt look cruelmore like a lemon squeezed dry.

I split up three years ago, Oliver says on their third date, stirring his coffee mechanically. Since then I just get on with whatever. Workhome, homework. You get used to being alone. It even gets comfortableno one nags, nothing demands, nothing expects.

Emily listens and recognises her own pain, only older, coated with a crust of indifference.

Gradually Emily steps into his world: first cautiously, then deeper. At first they simply meetgoing to the cinema, strolling through parks, sitting in cafés. Oliver is sparing with words, which Emily now enjoys after chatty Victor. The silence in Olivers presence has its own charmno need to fill pauses with empty phrases.

Your flat feels empty, Emily remarks one day, looking around his place.

Got used to it, Oliver shrugs. Why fix what isnt broken?

Emily sees something else: a man who has forgotten how to care for himself, who lives rather than exists.

Six months later Emily moves in with Oliver. She brings only the essentials at first, but slowly the flat changes. She tidies up, rearranges furniture to let more light in, buys fresh bedding to replace the threadbare set, trades cracked cups and plates for new ones. She brings potted flowers to grow on the windowsill, hangs light curtains that let sunshine stream in. The flat fills with the scent of food and freshness. The house comes alive, warms up.

Why are you doing all this? Oliver asks one evening as Emily hangs the freshly laundered curtains.

I want you to enjoy coming home, she replies simply, and Oliver remains quiet.

Unaware of the shift, Oliver grows accustomed to her care. He likes returning to a clean flat that smells of fresh meals, likes finding dinner waiting on the table and a soft, clean bed. Emily creates a cosy cocoon around him where he can relax and think of nothing else.

For two years Emily looks after Olivercooking his favourite dishes, remembering whether he likes things sweeter or spicier, tending to every detail from the aroma of morning coffee to the soft blanket on the sofa. She surrounds him with love, asking nothing in return.

She postpones any talk of the future for two years, afraid to disturb their fragile balance. Each time she feels the urge to ask, Whats next? she stops herself. Its still early, she tells herself. Let him get used to how good it feels together.

Eventually she does ask. Oliver sits at the kitchen table, sipping tea from a new mug she bought last week. Rain taps the window, but the flat feels warm and snug.

Oliver, when are we getting married?

Oliver looks up from his mug and shakes his head.

Marriage? Im not planning to tie the knot again. Im not that foolish.

Emily freezes, the kitchen turning cold and foreign. The mugs, the curtains, the flowers on the sill all feel like props on a stage she no longer belongs to. All the warmth, all the hope, crumble in an instant.

But why did I do all this? she stammers. Two years, Oliver! Two years Ive surrounded you with love and care. I thought we were building a future together!

Oliver places the mug down.

I never asked for that. You started it yourself. I was fine as I was.

Emily cant believe what she hears. The man she has cared for, the man whose flat she turned from a house into a home, simply doesnt understandor chooses not to.

Fine? her voice is choked. Was it fine for you to live in dust and grime? To sleep on wornout sheets?

Yeah, not ideal, but you can live with it, Oliver replies as if discussing the weather. Emily, I do appreciate everything you do, truly. But I never promised marriage. After the divorce I swore off it. A stamp in a passport doesnt change anything.

It does change things for me, Emily whispers. It means were a family, that we have a future, that Im not just a convenient woman.

Oliver tries to argue, Youve got it all wrong.

Emily rises from the table, walks silently to the bedroom, and begins packing her things. Oliver watches, saying nothing, not pleading, not asking her to stay.

You know you have nowhere to go, right? Its late, its raining, he finally says.

Ill figure something out, Emily replies briefly, zipping her suitcase.

She passes him, heads for the door, stops in the hallway, and looks around the flat one last time. There is no longer a place for her love here.

The door closes softly behind her. She walks down the rainslick street, feeling an emptiness in her chest, a single thought looping: I only wanted him to be happy

Emily checks into a modest budget hotel, sits on the edge of the bed, and finally lets herself weeplong, exhausted tears until she can no longer draw breath.

When the ache eases, she realises her mistake wasnt loving. It was giving everything without waiting for him to meet her halfway. She built a family where her care wasnt valued, gave warmth to someone who never asked for it, planned a future with a man who lives only in the present. She wanted to be needed, but became merely convenient. She poured her soul into a person who treated it as a free extra in his orderly life.

Now Emily knows love isnt bought with care. You cant win reciprocal affection through cleaning, cooking, and tending.

And the day another man enters her life, she wont rush to change his cushions or porcelain. She wont scramble to create coziness in someone elses house. She will watch his actions, his intentions, whether he walks toward her as she does toward him. If he does, they will build a home together where no one has to earn a seat beside the other.

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The Convenient Lady
Sucedió el día de la boda de Lidia, la cartera del pueblo.